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My intention was to go into natural history illustration – I wanted to work for National Geographic – but by fluke, some art directors from Lucasfilm saw my graduation show, which was mainly paintings of real animals like foxes and dogs. Sometimes in games, creatures are just "treated like objects" with their only function being "to exist and to be shot,” Santala said. But creatures are "characters in their own rights," he added. You can (and should) add personality to them. Whitlatch's creatures are specifically formulated to survive in their make-believe worlds, interact with their own species and others and make a serious impact. Whitlatch reveals that a successful creature design, begins with a solid story and understanding of how your creature lives.
I had a great time learning..
Industry veteran Aaron Sims details two of his tried-and-trusted workflows for creating iconic concept designs for film and TV, using Photoshop and ZBrush. As well as guiding you through his production-proven techniques, Aaron shares his thoughts on the importance of conveying personality and character through designs and shares some of the key lessons he’s learned over his 35-year career. You might think this is a limitation, but it also forces you to be extra creative. This approach can be a good method for designing a squad of characters that work together, like superheroes.
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The classes I took (Beauty, Airbrush, Character, Prosthetics and Special Effects) this is only the beginning. I am super grateful for all of the AMAZING people I’ve met here. I looked forward to this moment for so long, and my time here flew by like nothing. A school full of talented individuals that I learned from and created many unforgettable memories. Try to keep this about content over composition, we're here to see the design of your creature. If other things have the majority of the focus, or you're trying to do an artistic piece that happens to include your creature, please make sure that anything central to the composition serves to illustrate the creature's form/function.
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How to create a pleasing balance in your artwork
Enjoy lifetime access to the spectrum of course content, including lectures, live Q&As, and feedback sessions. Body poses are of vital importance when showing a creature’s emotion, but so are their facial expressions. Try some basic emotions like happiness or anger, then try less-common ones. By placing a small mirror close to your work area, or using your camera phone, you can use yourself as reference.
The Animal Kingdom director unpacks the year's most fascinating sci-fi movie - Polygon
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I took the complete track which included all of the classes they offer, and I am coming away with a ton of knowledge and network. The class sizes are pretty small so the teachers are able to help students individually, and answer any questions they may have. I’ve officially graduated and got my diploma from Cinema Makeup School! I am super grateful for all of the instructors that gave me a foundation so I can pursue my dreams.
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In this course you will learn the fundamental process for designing a believable creature design. This course covers everything from concept sketch, setting up your reference, choosing colors, and much more. Intermediate skill in Photoshop is recommended, however many of the lessons can be applied to any medium.
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So it’s important to work with depth and space, to give your creature a strong feeling of movement. Try different angles when you sketch your characters, and look for references if you’re struggling. With this creature, I’ve increased the stroke width in some areas that are close to the viewer to boost the feeling of depth. Another useful starting exercise is to simply draw without a specific purpose.
I’m on my fourth copy – I got my first one in high school and I still have it. There’s also Animal Drawing by Charles R. Knight, who was one of the first paleoartists. It’s also very inexpensive and is still published by Dover. In games, "all creatures should ultimately try and serve a function," Santala said. And thinking about that purpose, that appeal, should be the starting point of any design.
Finally graduated from Cinema Makeup School
Pretty much any time there was an animal or creature, it was handed to me to work on. My father was a naval officer, but he had been through medical school, and he taught high school biology on the side. He was very interested in nature, and he’d bring home all these specimens. Check out some of the amazing work Creature Design students have created by doing their homework. Many of our courses include bonus recordings of past mentorship meetings to watch any time.
My name is Tessa, I’m a Dutch artist, art director, and creative project manager. I love to share my passion for this craft, nature, art and fantasy, and do that by creating this archive and community, alongside my company Tez Art & Design. “We always knew that part of the Season 1 journey for all three of our core characters was going to be an exploration of identity,” said Steve Yockey, who developed the series. I would think that surgeons, in doing the same, would likewise benefit.
It was originally done in 2004, and at the time, we didn’t have virtual reality or other new technologies, but we knew that stuff was coming. A lot of that book was illustrated on layers, so we could go back into it later. One of the campaigns I worked on at ILM was [an early Budweiser] Clydesdale Super Bowl commercial. It was a big deal, because the client was an important one, and the storyboards had to be finished within two days. Join a devoted community of over 20,000 students from around the world. Learn Squared gives me the freedom and flexibility to learn from the best in the industry at my own pace.
Business and art direction courses are included, and students finish off their degree with a senior project. I think the value of humor in creature design is very high. We all, as human beings, have it as part of our essential nature.
Make the choices that will enhance rather then detract from your narrative. Drawing quick and simple thumbnails is a helpful warm-up exercise. I always try to keep the design simple; the silhouette needs to be easy to read. I use a solid colour and sometimes I draw over it with a darker colour tone. In this case I’m concentrating on creatures, which means I’m free to create different shapes, combining object, animal and human elements. I had always considered myself the recipient of a gift when I think about where I first learned anatomy; the people who donated their bodies made it possible for me to learn.
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